O tamtych czasach przypomina blisko

O tamtych czasach przypomina bliskość portu oraz cosobotni targ rybny. Od porannych godzin rybacy rozstawiają skrzynie pełne wyłowionych przed kilkoma godzinami morskich skarbów.- Nie ma drugiego miejsca w całej Estonii, gdzie kupisz tak świeże ryby - mówi mi jeden z nich. Patrzę na lśniące flądry, dorsze, srebrzyste śledzie, długie węgorze. Dla tych, którzy nie mają warunków na przyrządzania ryb, sprzedawcy przygotowali gotowe dania: wędzone na zimo węgorze, śledzie w zalewie, siekany perfekcyjnie doprawiony rybny tatar.W porcie trafiam na gigantyczny betonowy gmach o trzech kopułach. Szary, nieco złowrogi budynek jest dziełem cara Mikołaja II (od XVIII w. Tallinem władała Rosja), który polecił wznieść tu halę budowy hydroplanów. Ogrom tej przestrzeni został dziś zaanektowany przez Estońskie Muzeum Morskie. Jak przystało na miasto żyjące w cyfrowej rzeczywistości, ekspozycji daleko od statecznej wystawy - to multimedialna orgia, potok bitów płynących po ekranach, niosące falę ekscytacji symulatory. Obły kształt utkanej z poczciwego metalu łodzi podwodnej z lat 30. XX w. - jednego z głównych eksponatów - jest ukłonem w stronę przeszłości, wszystko wokół to już jednak nowy świat, cyfrowy oceane, w który Tallin rzucił się z radością na główkę.

Results (English) 1:

About that time, like the proximity of the port and fish market cosobotni. From the early morning hours setting up their chests full of fishermen landed a few hours of sea treasures.
- There is no other place in the whole of Estonia, where you can buy fresh fish so - he tells me one of them.
I look at the shiny flounder, cod, silvery herring, eels long. For those who do not have the conditions for the preparation of fish, ready meals prepared seller: zimo smoked eel, herring in brine, perfectly spiced minced fish tartare.
In the port I get to the gigantic concrete building with three domes. Gray, slightly sinister building is the work of Tsar Nicholas II (from the eighteenth century. Tallinn ruled Russia), who ordered the construction of the hall to erect here seaplanes. The vastness of this space today was annexed by the Estonian Maritime Museum. As befits a city living in a digital world, far from the staid exposure of the exhibition - is a multimedia orgy stream of bits flowing through screens, carrying a wave of excitement simulators. The oval shape of the woven metal honest submarine from the 30s in the twentieth. - one of the main exhibits - a nod to the past, all around, but it's a new world, the digital ocean in Tallinn who threw himself on the head with joy.

Results (English) 2:

At that time it resembles the proximity of the port and the Saturday fish market. Since the morning, fishermen have been setting up crates full of sea treasures caught a few hours ago.
"There is no second place in the whole of Estonia where you buy such fresh fish," one of them tells me.
I look at shiny flounders, cod, silvery herring, long eels. For those who do not have conditions for preparing fish, the vendors prepared ready-made dishes: smoked for zimo eels, herring in the flood, siekany perfectly seasoned fish tartare.
In the port I hit a giant concrete building with three domes. The grey, somewhat sinister building is the work of Tsar Nicholas II (from the 18th century Tallinn was owned by Russia), who recommended to erect a hall for the construction of hydroplans here. The enormity of this space today was annexed by the Estonian Maritime Museum. As befits a city living in digital reality, the exhibition far from the stately exhibition - it's a multimedia, a pile of bits flowing through screens, carrying a wave of excitement simulators. The shape of a woven-up metal submarine from the 1930s is covered. The 20th century - one of the main exhibits - is a nod to the past, all around it, however, a new world, digital oceans, in which Tallinn threw himself with joy at the head.

Results (English) 3:

In those days it resembles the proximity of the harbour and the cosobot fish market. Since morning, fishermen have been deploying crates full of marine treasures caught several hours ago.
-There's no other place in Estonia where you can buy such fresh fish -one of them tells me.
I'm looking at sparkling flakes, cod, silver herring, long eels. For those who do not have the conditions to cook fish, the sellers have prepared ready meals: smoked eels in winter, herring in the bay, chopped perfectly prepared fish tartar.
In the harbor, I come across a giant three-domed concrete dam. The grey, somewhat malignant building is the work of the Tsar of Santa II (since the 18th century of Tallinn ruled Russia) who recommended to erect a hydroplane building hall here. Today, a huge area of this space was connected by the Estonian Sea Museum. As it turned out for a city living in digital reality, exposures far from a stationary exhibition are a multimedia orgy, a stream of bits flowing through the screens, carrying a wave of simulator excitement. The round shape of a solid metal submarine from the 1930s. The 20th century, one of the main exhibits, is a penchant for the past, but everything around it is a new world, a digital ocean, in which Tallin was happy to throw himself on his head.