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As it turned out for a city living in digital reality, exposures far from a stationary exhibition are a multimedia orgy, a stream of bits flowing through the screens, carrying a wave of simulator excitement. The round shape of a solid metal submarine from the 1930s. The 20th century, one of the main exhibits, is a penchant for the past, but everything around it is already a new world, a digital ocean, in which Tallin threw himself gladly on his head.<br>
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